Transtel is a prominent importer of high-quality sound systems, loudspeakers,
audio electronics and custom install solutions, based in Antwerp (Belgium).
Besides
high-quality standard audio products and speakers from brands such as Monitor
Audio, Arcam, Roksan ... Transtel also distributes a number of vinyl
products for music lovers.
Our vision
is to distribute high-quality products in a customer-oriented and
service-conscious way. We have tried to put together a complete package of
brands that offer just that little bit more and fit our philosophy.

History
Transtel
Sabima was founded in the early 1970’s with a small production capacity for a very
specific and limited market of audio-equipment. The company was actually born
directly from the production of another well known brand: Rodec, which had
started back in 1954.
Things
really started to kick off in 1977 when Transtel managed to fetch in a very
distinguished audio-brand: Denon. With
this new partner aboard, the company came in a growth acceleration. Other high-end brands were added to our range
in the next years such as Monitor Audio and Spendor. Transtel obtained the reputation of a qualitative and service-minded company.
This expansion forced us to switch from location a first time.
Throughout
the years, the emphasis was put more and more to Rodec. What initially started
as a cooperation between just three persons grew to a production facility of
about 20 persons. By this time, the
production of Rodec had been commercialised and the Antwerp-founded brand
achieved a very special place in the company’s profile.
In 2004,
Transtel Sabima moved to its present location in the Duboisstraat, a facility
that reflects every aspect of the company’s profile. Despite the growth of the company and the
severe competition in the audio-market, which is still ruled by a few majors,
Transtel Sabima remained loyal to its philosophy: always put the emphasis on
quality rather than quantity, be service-minded and distribute products that
are reliable, user-friendly and distinguishing. Moreover, Transtel Sabima is still managed by the family of the initial
founders. So the spirit is set to last
for many years to come!
On 1 February 2023, the distribution business was transferred to the new company Transtel BV under the management of new CEO Marc Leuraers.
Rodec
Back in
1954 the music industry was, except for a few big players, a meeting place for
music lovers and fanatics who found it difficult to find in the market what
their ears or minds really wanted in terms of natural music reproduction. This situation resulted in a number of esoteric brands entering the market, with largely hand crafted “one/off”
equipment, without being distracted too much by decidedly un-cool
considerations such as pro-duction economies or even profit. ROger DEClerck was
one of these fine engineers who initially designed and produced products for
himself and a number of close friends, as well as making modifications to
existing equipment to improve sound. He opened his first store in Antwerp where
music addicts were more than welcome to live their passion.
The name
RODEC was born, with initially a limited range of valve amplifiers, mono, and a
number of specific “one-off” products, built on special order only. From there
on, RODEC embarked on the design of a number of “mobile” units like the P418
and ancestors, that were mainly used at presentations, shows and fancy fairs as
sound enforcement for public announcements.
According
to the memory of those pioneers of the early days, as early production archives
are non-existing, the first RODEC mixers appear around 1970, when the decision
was made to offer a number of high quality preamplifiers which offered a most creative
feature whereby one source could be faded out, while another source could be
faded in. The audio mixer - as the workhorse of the DJ- was born!
These
models were known as CU881, CU882, CU888 and 1572, each consequent model
offering higher and more specifications than the previous one.
With these
preamps a number of power amps were available, always within the same basic
philosophy that sound performance and build quality had to be immaculate.
With this reputation
of producing sturdy equipment, RODEC rapidly became the standard in many fixed
and mobile music systems in the entertainment industry, being one of the very
first to introduce a number of features which invariably set the standard
throughout the entire industry. To name just a few, as far back as 1970 where
RODEC introduced talk-over, gain per channel and equalisation, resulting in the
final evolution in the mid 80ies to the MX-18 with triple tone control per
input channel. This feature has since been copied all over the world up to the
nearly identical frequencies as used by RODEC.
What
followed is a series of DJ mixers including the flagship MX180 which gained
worldwide fame and is still known as the standard by many professional users
all over the world. With the basic philosophy of construction quality,
reliability and sound performance in mind they introduced mixers for the
beginning DJ as well as for the big clubs.
The range
was expanded in the following years to include amplifiers, horeca solutions, vinyl
accessories, compact, scratch, semi-digital mixers and even filter banks.
Due to the
economic recession after 2008, Transtel Sabima was forced to reorganise
production and in the next 5 years they tried to gain control over production
expenditure in terms of labour costs, supply of parts and total availability of
components.
Disposable
mass production electronics have invaded the audio/dj market. The quality
components that make up hand crafted RODEC mixers had become scarce, their
sourcing unreliable and pricing erratic. The conditions for maintaining
small-scale production at a stable price were no longer possible. This is why
in 2014 it has been decided to discontinue production at Transtel Sabima.
About half a decade after the
creation of the first game changing mixer, Rodec decides to build mixers
again. With the arrival of Tom De Ridder in 2021 as the new CEO, the
brand reignites its initial ambition of 1970: creating the perfect
hardware to enable today and next gen customers produce their ultimate
audio performance. The Rodec love for quality, engineering, audio and
providing the best gear for the audio performing industry is secured.
Being
an early adopter of the Rodec MX180 as a music producer himself, Tom De
Ridder is passionate to continue the Rodec mission. In 2022, Rodec is
back to become the artist's golden standard once more.
More info at www.rodec.com